Thefriendlyvandalfuk
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it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

we can take this portion frame by frame as it unravels itself. let us begin again.

250_logo.png

it is almost as if it is a place one has been before;

-devoid, but familiar-

the strange mutilation of a place where one is comfortable;

and a place where one has spent much of one's life.

In the upstairs hallway, the building

breathes, like a wounded animal; as if something profoundly innate has been taken.

says WEATSTONE, as she approaches the bathroom.

GRIMSKY's composure is uncertain. he feels

as though he should hold her back from the open doorway, which seems to bleed a strange iron taste of unease.

WHEATSTONE opens the door the rest of the way.

GRIMSKY's camera does not capture the moment she enters,

but it does capture the moment when she says,

'oh, my god,'
it is not loud. it is a whisper.

the camera lurches shakily forward.

prehaphs GRIMSKY is feeling unease about being left behind in the hallway, which, although does not physically constrain inwards,


gives the faint unease that something has been disturbed.

NEWS:

the tape lapses multiple times. we cannot make out what is in the bathtub; it is as if someone is pushing them back again, back into the mouth of the abyss where they feel more secure. so the text for this part of the tape- although it cannot fully encapsulate the reality effects it emits- are as follows:

1. they are in the hallway.
2. they see an open door at the end of the hallway.
3. GRIMSKY vomits.
4. WHEATSTONE enters the bathroom as GRIMSKY still holds the camera away.
5. WHEATSTONE says:

'oh, my god. oh my god'

6. GRIMSKY staggers forward.
7. the event repeats, as if regrettable damage has been done.